The font sizes, line spacing and padding can all be
edited in the Block Settings tab on the right.

Photographed by: Alexander Saladrigas
Styled by: Marissa Baklayan · Words by: Sarah Cristobal

VIDEO WITH CAPTION ThiS IS A HEADER VIDEO WITH A CAPTION. In the settings tab you can add a down scroll arrow OR choose the aspect ratio FOR DESKTOP AND MOBILE, E.G. 16:9 on desktop and square on mobile..

This is a block of intro text in a group. Grouping allow custom widths for text blocks which, by default, are locked at 620 pixels wide. To make the first letter appear large (Drop cap) click the three dots next to Typography in the Block settings on the right and choose “Drop cap”. Top and bottom padding can be added to this, or any other module, by clicking the + next to “Dimensions” in the Block settings on the right and then choosing a custom top, left, right or bottom padding value.

This is a block of intro text in a group. Grouping allows custom widths for text blocks which, by default, are locked at 620 pixels wide. To make the first letter appear large (Drop cap) click the three dots next to Typography in the Block settings on the right and choose “Drop cap”. Top and bottom padding can be added to this, or any other module, by clicking the + next to “Dimensions” in the Block settings on the right and then choosing a custom top, left, right or bottom padding value.

This is an H1 title

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This is an H4 title

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This is a block of H3 sized text in a group. The font has been set as Ivar Display with 1.2 line height. These settings can be changed in the Typography panel on the right.

This is a block of H4 sized text in a group. The font has been set as Ivar Display with 1.3 line height. These settings can be changed in the Typography panel on the right.

This is a block of H5 sized text in a group. The font has been set as Ivar Display with 1.4 line height. These settings for the font, line height and more can be changed in the Typography panel on the right.

This is a block of standard paragraph text in a group. Grouping allows custom widths for text blocks which, by default, are locked at 620 pixels wide. To make the first letter appear large (Drop cap) click the three dots next to Typography in Block settings on the right and choose “Drop cap”. Top and bottom padding can be added to this, or any other module, by clicking the + next to “Dimensions” in the Block settings & changing the values.

Qhis is a block of standard paragraph text in a group. Grouping allows custom widths for text blocks which, by default, are locked at 620 pixels wide. To make the first letter appear large (Drop cap) click the three dots next to Typography in Block settings on the right and choose “Drop cap”. Top and bottom padding can be added to this, or any other module, by clicking the + next to “Dimensions” in the Block settings & changing the values.

And this is a block of paragraph text in a group set to the font “DIa”. Grouping allows custom widths for text blocks which, by default, are locked at 620 pixels wide. To make the first letter appear large (Drop cap) click the three dots next to Typography in Block settings on the right and choose “Drop cap”. Padding can be added to this, or any other module, by clicking the + next to “Dimensions” in the Block settings & changing the values.

And this is a block of paragraph text in a group set to the font “DIa”. Grouping allows custom widths for text blocks which, by default, are locked at 620 pixels wide. To make the first letter appear large (Drop cap) click the three dots next to Typography in Block settings on the right and choose “Drop cap”. Padding can be added to this, or any other module, by clicking the + next to “Dimensions” in the Block settings & changing the values.

OND: Grown up Oscar! Was it overwhelming to attend fashion shows during your teenage years, with all of the attention that would bring? 

KS: I didn’t overthink things then, and I wasn’t super online. There wasn’t an added feeling of pressure. For the most part, I look back on those fashion moments really fondly, because I wasn’t deathly worried about how they were going to turn out. That was when I was 10 years into [my career] though, which is so weird. 

OND: You mentioned that you like looking at fashion references before a big event, so you know the vibe and what you’re getting into.

KS: Oh yeah. I mean, when it comes to red carpets and all that kind of stuff I’ve got to have a plan. If there’s one thing about me, I love a plan. I love a list. I love an answer. All that. 

OND: And do you love diamonds, Kiernan? Don’t hold out on us.

KS: I have a necklace with a diamond pendant that my mother gave me and I love it. I wear it quite often. This [Only Natural Diamonds] shoot was incredible, there was so much beautiful jewelry. And I feel lucky that I can be loaned beautiful pieces for red carpets and things. I am constantly praying that whatever I’ve been loaned doesn’t fall off my ear, or my wrist.

OND: Do you like to buy fine jewelry or do you aspire to have certain pieces in your collection? 

KS: I’m a FoundRae girl. I love, love, love FoundRae. Those necklaces [that I have purchased] mean a lot to me. There’s something quite beautiful about owning a significant item and having it symbolize something in one’s life. It’s a reminder of who you are in some kind of way. I think that those types of pieces can be really special. 

OND: And that’s the type of jewelry that is fun to pass down from generation to generation.

KS:I think about a FoundRae ring that I have, and it’s like, “Oh, that would be so cool to give to my kid one day.” And actually one of the few things I took from the Mad Men set was a necklace. It was Sally’s necklace that she wore for quite a bit of the show. That’s probably the most sentimental piece of jewelry that I own. It’s a little heart necklace that has Sally’s initials on it. Don [Draper, Jon Hamm’s character] got it for her. I love things that have meaning, and that you can keep, cherish, and pass along. 

OND: Your new show is White House Plumbers about the Watergate scandal and you get to wear a lot of 1970s vintage attire. 

KS: I love a vintage moment. I like to buy vintage that doesn’t necessarily feel or look super identifiably vintage. But yeah with regards to White House Plumbers, my character [Kevan Hunt] has a golden child vibe, which was very interesting for me, because obviously- ly that breaks, and there’s a real sort of arc in the way that she sees her father [played by Woody Harrelson]. To play someone who has it all together and is doing all the “right things” with her life, and then to have it crumble in the way that it did was very compelling to me. And also, just working with Woody was so so exciting. Occasionally you work on a show that everyone’s excited to make and is filled with wonderful people that you can maybe, hopefully, call family after, and that is this show for me, for sure. 

OND: I read that you are big on making playlists. 

KS: I do love a playlist. I like songs that remind me of certain times. I think it’s amazing, much like a jewel, or a relic of some sort.

OND: Well done, circling back to natural diamonds, aka the jewel of music. 

KS: Exactly! That’s what I was just about to say! [Laughs] 

This is an h4 subtitle for adding a manual excerpt / article description.

Photographed by: Andy Jackson | Styled by: Ian McRae
Written by: Sarah Cristobal

This is an h4 subtitle for adding a manual excerpt / article description.

Photographed by: Andy Jackson | Styled by: Ian McRae
Written by: Sarah Cristobal